11/10/2022 0 Comments Elit iscan![]() ![]() By seeing her I felt more confident about the future and about my dreams.” ![]() “I learned so much from her,” Iscan says of her director. Iscan got Ingmar Bergman’s “Summer with Monika,” about a free-spirited woman, and Jean-Luc Godard’s “Vivre Sa Vie,” in which Anna Karina tries to navigate the world of men only to be destroyed. Erguven would make each of her five young actresses - whose very close-knit, isolated characters she described to her stars as “coming from the same spaceship” - watch certain movies that would help define them. “Some people did not trust her,” Iscan reveals. They shot in seaside Turkey, among locals who may not all, Iscan says, been aware they were making what amounts to a political movie. “Mustang,” which was produced in France (and is the country’s official entry for the Best Foreign Language Film Oscar), was not only directed by a woman, Deniz Gamze Erguven, but one who was pregnant during filming. I’ve never been made to think this way by my family, but I definitely experience it from the government.” ELIT ISCAN TVThey make speeches on TV saying women should have three children, that they better stay at home to take care of them, that they don’t need to work, that they better not go out when they’re pregnant. “Political figures talk a lot about what women should do. “There are families in Turkey still raising their children the conservative way,” she says. The serpent has done its dirty work.Still, she’s very aware that her life is not typical. Its vision of people in thrall to religious ritual and living at the mercy of nature may be poetic, but it is no idyll. The music lush but emotionally neutral and at times static conjures eternal things.įor all its beauty, though, you couldn’t describe “Times and Winds” as uplifting, and its attitude toward childhood is not sentimental in the manner of similarly minimalist Iranian movies. Augmenting this pastoral symphony are excerpts from several pieces by Arvo Pärt (including the “Te Deum”) that add texture and gravity to the film. As the sun rises at the end of the movie, this rearrangement of time simultaneously evokes the village’s unchanging way of life and the blind expectations of preadolescent children facing adulthood.Īs in Iranian films that focus on childhood, the soundtrack of “Times and Winds” is filled with the stirrings of nature the wind rushing through trees, animal sounds and bird song from near and far. The film is organized around the five daily calls to Islamic prayer, chronologically reversed so that night is followed by evening, then afternoon, noon and dawn. Its absence of high drama allows such primary forces to become its main subject. The teacher’s lessons about the Earth’s rotation, light, heat and the water cycle reflect the film’s focus on the intersection of daily life with the laws of nature. The scene of the son spying on the father spying on the woman rubs in the fact that this is no Garden of Eden. The boy is crushed when he comes upon his father peeping at her through a window of her house. Yakup has a secret infatuation with the village teacher (Selma Ergec), a beautiful young woman whom the villagers reward with regular deliveries of milk and bread. Yildiz is treated like a servant by her mother. ![]() There is a scene of a frustrated farmer beating a horse and another of an old man attacking his son for stealing nuts from a tree. ![]()
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